9-12-2012
YESTERDAY
Yesterday lives in a perpetual demi-fog. I lived it. You lived it. The world lived it.
9-12-2012
YESTERDAY
Yesterday lives in a perpetual demi-fog. I lived it. You lived it. The world lived it.
Contact: Jose’ Diaz FOR IMMEDIATE RELEASE:
Tel. 361-575-4154
Email: joseexist@legasyssongs.com Web: http://www.legasyssongs.com
CDr: “MUSING IMMORTALS”
The latest release from the “Tornado-Fingered-Texan” Jose’ Diaz will soon be
available on CDbaby.com. “MUSING IMMORTALS” contains twelve all new
tracks from the gulf coast solo studio artist and multi-collaborationalist. It will
mark the 10th release of all original material by Jose’ as it joins the other 9 albums
at CDbaby as well as other multiple websites.
On this outing Jose’ takes on the subjects of “things coming to an end”,
“choosing alternative actions”, and of course, “the sad and dark sides of love”. The
Tornado-Fingered-Texan gives up emotional guitar work that breathes softly at
times or screams with emotional abandon at others. This tenth offering is slathered
with deep lyrical meaning backed up by a wall of guitars and fresh song structures.
Jose’ takes on all duties as usual wearing all applicable hats. Composing,
arranging, recording, mixing, mastering, and graphic design, are all his jobs alone.
Doing it himself keeps the pressures of deadlines at bay and there are never any
executives screaming for a ‘single’.
In his own words:
“I make music as freely as I choose to live my life. Fame, fortune, and accolades
of glory are never my targets to achieve. Whatever blessings God will bestow on me
are his to give. Whatever travails assault me because of my music, I accept without
shame.”
"What I did yesterday may make me who I am today, but what I do today will make me a better person tomorrow."
Jose’ Diaz
# # #
I'm recording new music at a much slower pace than normal. The tunes are a bit mellower than usual but I still have fun doing them. If it were no fun then I would be looking for something else to do.
Still having a ball playing with a few of the newest toys. Mics and preamps, guitars and amps, all full of suprises yet to be discovered.
Looking forward to a few new pieces before too long. Maybe another low-watt amp. I saw a great set of cans from KRK. Might give a certain edge I need in the process. People knock mixing with cans (headphones) but I like the detail I get. The room monitors are great but the room acoustics suck. Cans work better for me.
Keep it as loud as possible!
I recently finished another piece of science fiction. Halfway thru it arthritis attacked and I am still recovering but coming along well. Aging is indeed painful.
Joel dropped by the other morning and asked for more LEGASYS CDr. I burned a few and he picked them up while dropping off a set of lyrics I thought was lost for all time. The song has a Kings X vibe to it but I can make it work. It will be a ‘rocker’.
My boss bought a guitar for his son but his son didn’t want it for some reason. I bought it right away and love the tone! Once I put my preferred GHS strings on it and tweak it a bit it will easily make it onto some new tracks. It’s a telecaster style affair with that ‘tele’ sound.
With four brand new songs completed I have been writing quite a bit lately. Not lyrics and songs mind you, but stories. If you haven’t had an opportunity to check out “Musings On Muses” at the local newspapers website, here is a link.
http://www.victoriaadvocate.com/weblogs/musings-on-muses/
In this blog, started in 2009, I write about the many avenues thru which inspiration comes to me. I also diverge into short stories and excerpts from a couple of books I am working on. “The Niaro”, and “Rocknauts” are those. The short stories are “Resolving God”, “The Markers”, “Forever In The Blink Of An Eye”, “Contraption”, and “Sensor Survey Sampling”. Beyond these offerings are a whole lot of other short pieces. Most of the latter lead off with no title but the same first sentence. “At the fringe of my imagination.”
You will also find many references to the grandest of all my muses, and many pieces dedicated to her. Her name appears in a few stories and she seems to be a recurring character across the universe that is my imagination. The true blessing is that she is an integral part of my reality. Her name is Glenda. She is the muse I can never refuse.
Four new songs are completed and still, as ever, there is music flying about in my mind. 2011 is looking promising. New tech is rushing in like a Bonsai wave and its inevitable affects are already exploding onto the scene. The trees (yes, we put up 2 this year) are up and the lights are shining down on the gifts.
Thank you for spreading the word worldwide and with my glass high I bid you all a very, very, MERRY CHRISTMAS!
Keep It Loud!
Jose’
1. How long have you been together (solo artist)? Since about 1984 or 85 I think. Once I hit the oil and gas industry most of my time was pretty much eaten up by my day job. There was never enough time to practice with a band or work on songs in a group. 2. How did you get together? My first band grew out of a group of high school buddies I hung around with in Bloomington, Texas. We called ourselves Legasys and played a few wild parties early on. We're all scattered out these days and rarely ever communicate. After that I joined Bois D Ark and recorded a 45 with that great band. I do a lot of recording and writing these days on my own but I also collaborate with quite a few artists as well. 3. How was the writing process for this release? I quit smoking for seven months due to allergies and asthma. I notices a marked change in my voice and I think it really shows on Clouds In Cathedrals. As far as the basic process, I still write lyrics as oftenas possible and the really hard trick is finding the actual time to write down all the words swimming around in my head! (Laughs) I came at the tracks from several angles as usual. Some were composed music first, others words first. Some happened on the fly as I was working on something else entirely. I leave all creative doors open once I'm in the studio. Anything can change at the drop of a hat. Spontaneity rules. 4. What kind of response are you getting form: A. fans B. media I have quite a few dedicated fans that are always asking me what's next. I refuse to draw a line between friends and fans as I feel a close kinship with anyone who listens to what I do. The first few pre-release CD I sent out got a very warm welcome from those lucky few I was able to provide them to. The media response is as always at a level pitch. I'm not shaking any trees or getting superstars to call me but that doesn't mean I'm not making ripples on the water so to speak. 5. What makes your music unique? I don't do covers. All my songs are pretty much 100% my own creation or remnants of what I wrote with Legasys. I think my subject matter sometimes sets me apart from other artists. I deal with darker emotions but not with a focus totally on one thing like 'death', or 'killing'. I ask questions like; What does the future hold for the human race? What will the end of the world really be like from any given individuals perspective? If we do make it to the future, what will that be like? I have an endless supply of such questions and the music I compose and record is just my way if trying to answer such questions with a story telling of sorts. 6. What’s the music scene like in your city? It's there in its' own way. I don't dip into it too much because my style of music is hard to find a shoe to fit into. A few artist, bands, and organizations pop up from time to time to do shows that they have to produce themselves and I see their efforts come to fruition for the most part. I feel that this city really wants to attract big superstar names and just hints at the local talents. There are a lot of artist out there but getting recognition is the hardest thing for them to do. Most venues cater to country or pop and hip-hop, or Latino genres. There's a powder keg of hard rock and metal just below the surface but every time it rears up somebody seems to knock it back down again. Fortunately, that is the very nature of artist like myself. We can get trampled under by the 'establishment', kept out of venues, kept off of store shelves, or suffer any numerous setbacks and pitfalls, slings, arrows, sticks and stones, but we keep rolling along. 7. What are your goals for the rest of the year? That's a good question. I've slipped out of focus for now but just over my mental horizon there a goal I have yet to see clearly. I can hear the music though. It's gonna be awesome! 8. Is there anything you would like to add? Stay loud and remain true and proud to the music you love. If our government has its way volume controls will be a thing of the past. Do you really want to have only an on off button on your car stereo or other playback device? An electric guitar without a volume knob is pretty much a useless stick. A high powered amp that only whispers is just a wall of silence to me. Be wary music aficionados, legislation is already in the process.
I'd just gotten all the isrc numbers and bar code info to finish off posting Clouds In Cathedrals on AmieStreet when I noticed a "click here for important news". That button was just too tempting. Beyond it I found out that this wonderful springboard of a site for new music was cashing it in. The next day all their pages of inventory would be moved over to Amazon.
Oh well, cookies always crumble.
I did check it out today and found everything in order and Amazon even seems to have taken care of seting things up with proper samples. In fact, Thoracic Spark and Paint By Thunders also come up in an mp3search for Jose Diaz. I'll surf a bit more...
Clouds In Cathedrals will be released on 9-1-2010. You may find it at CDbaby.com once it becomes available. As is customary with CDbaby, the initial quantity of physical CDs will be very small but digital downloads will be available as well.
Keep it loud and stay proud of the music you love!
Jose' Diaz (The Tornado Fingered Texan)
The Rocknauts (epilogue)
Generals had gathered around a small table in near darkness. Subdued glows from nearby wafted lazy shadows over every face. There were by this time very few of them left.
“We have thrown out every sensor sweep we have at these boys since they arrived.” General Port was uncharacteristically un-animated as he sat back in a squeaky folding-chair. “Have any of our ‘geeks’ discovered anything useful?”
“Dr. Starb is on the way down right now.” General Gray informed from Ports’ immediate left.
They were a full mile below the earth’s surface. Death Valley lay above and intermittent rumblings were not seismic events. Eyes were locked on the senior general and furrowed brows ran all around the table. A small alarm sounded and a door slid open at the far end of the room.
“Dr. Starb, welcome aboard. What can you tell us?” General Port spoke with a defused ‘bark’.
The frail little scientist walked up the end of the table and adjusted his glasses before speaking. “Ahem!” The dry air down here told him the ventilation system was failing. “The alien’s modes of transportation are very interesting.” Generals adjusted themselves in preparation for a long speech. “All analysis has uncovered very strange things indeed.”
“We need to know everything, and quickly Doctor. It may already be too late.” General Nickson spoke up from halfway down the table.
“Of course General,” Dr. Starb dropped a rather thick folder he had been carrying behind his back squarely onto the end of the table. Glasses of water, or whatever, rippled in the mute light. “These boys are ‘heavy’. The space time continuum is distorted ever so slightly in their immediate vicinity. I’ve ran the calculations myself with all known material specs and found a rather interesting curve along the periodic table. Still, I have no idea what they are made of. Scanners freely penetrate the materials and energy shields but all reflections returned are far less energetic than they should be.”
A few eyes narrowed in their sockets.
The Doctor went on, “A detailed analysis made from sensor and live video feeds during our initial attacks revealed that some of the electromagnetic and kinetic energies from our weapons were actually absorbed into the discs. With every impact or stand-off detonation a pressure wave of gravity force emanated from each. They got heavier for a fraction of a second with each energy absorption event.”
General Juarez spoke up. “You mean to tell us that they got stronger, or heavier, the more we attacked?”
Dr. Starb dipped his head slightly in acknowledgement. “Exactly general,” he began, “They didn’t absorb everything but what they did absorb seemed to strengthen them. There were also noticeable sound pressure level increases each time this happened.”
A particularly violent shockwave sped thru the darkened facility. Dust sifted down thru a small crack in the ceiling.
“What about their ‘instruments’ appearing and disappearing?” General Port asked.
“There has to date, been no instance in which any of their ‘tools’ were seen to be used as weapons. As for the way they deploy and store them, it’s either smoke and mirrors or,” he paused for effect, “flat plane technology.”
A round of ‘guffaws’ and ‘harrumphs’ went across the table in loose unison as another concussion shook the room.
Starb continued. “The energy bands now circling the earth are some form of very exotic plasma. It cycles randomly thru odd harmonic frequencies and there may be a correlation between frequencies and density. Nothing I’ve tried can lock onto the proprietary frequencies. The Cray in the basement here is even useless in that regard.”
Hard sighs made rounds at the table.
Starb went on. “It’s my guess that we got lucky when we thought we’d found an angle thru their shields. Up to that point most of our attacks were simply attritions. The nano-timing of the EMP and fusion blast may have hurt them but, I think it also just made them angry.”
There was a long pause.
“Gentlemen,” General Port addressed them all. “We have one option left.” He studied the raised brows all about him. “Doctor Starb here has a few pounds of antimatter stored on site. He informed me of this today and I ordered him to set up a containment breech.” Port motioned to Starb.
The doctor stepped outside and returned after a few seconds wheeling a cumbersome metal box that barley fit thru the door. He entered a code on a small outside panel and all four walls silently slid upwards. Inside was a crystal canister about a meter long. It held a snowstorm of what looked to be multicolored cotton-balls that danced to some unknown rhythm.
As all eyes zeroed in on the spectacle every other light was extinguished suddenly as another shockwave rippled thru. Several sets of lungs inhaled sharply yet no one said a word until Starb spoke up.
“General Port,” He began. “With your permission?” His hand fell onto a simple valve on one end of the cylinder.
The general nodded slowly, and then put his head into his hands on the table top.
Not one man present noticed the electric taste in the air as the doctor pulled the valve open. Only afterwards did that unique flavor become apparent. It also was quickly obvious that they were all still very much alive. The antimatter in the containment vessel should have annihilated everything out to the ohrt-cloud.
Mouths were forming words but long before any synapses could initiate the actions another ominous glow superseded the anti-matter. With a low frequency crackle a thin loop of blue energy leapt from opposite corners of the door. It wrapped itself around the open bottle of anti-matter and dipped a portion of itself inside. As it did so the sound of a rock band plowing thru an epic tune seemed to rain down from the desert far above. The anti-matter began to fade from the jar. All eyes darted to and from about the room. Looks of frustration and panic, dismay and confusion, all cycled across faces. Everyone present became aware that their atoms were being deconstructed and the hiss of loosed quantum foam was the last thing they heard.
Now that really felt good to do. I’m talking about the eleven chapter story I just finished. “The Rocknauts” developed from an idea I had back in high school. When Legasys and I were just forming up we went thru a ton of names before we settled on “Legasys”. Rocknauts was one of them that didn’t make the grade.
Back then, as the idea was forming I would daydream scenarios where the flying stages would go thru various maneuvers. One had the stage rider keeping his body in one spot while the stage bobbed up and down and twisted from side to side. The stage only moved as much as he could bend at the knees. Of course a dazzling light show emanating from the stage added to the imagery.
I imagined all sorts of ‘powers’ for the stages and even had a keyboardist platform with semi-circular piano-boards. The speakers on the bottom of each saucer were loud enough to be used as weapons. The musicians could materialize instruments at will of various types. When I started “The Rocknauts” tale back in June of 2010, it was just a blog post titled “There Were Four…”. Many of the displays of abilities that followed simply flowed out of my hyper-active imagination.
You can probably read a lot of my exposure to science fiction, both vintage and modern, in the story. In any case I hope you enjoyed reading it as much as I enjoyed writing it. Maybe I’ll publish it in book form, or in “E-book” format.
By the way, music was the ‘muse’, and most of the lyrics are mine. The exception is “If Rock Is What You Need”. That gem was penned by Joel Lopez.
Having finished ten songs, and being currently at work on an albun cover, I still have music in the back of my mind pestering me to let it out. There is one unfinished tune in the studio that only needs a polished vocal, mixdown and mastering. I might add it to the qeue of album #9. The jury is still out on that. Who knows? Maybe I'll do a few more tunes as well for it.
I've ran all the wiring for the new gear and labeled everything so I don't muck up a mic with 'phantom-power'. It's going to be fun figuring out all the bells and whistles of these pre-amps and discovering which mics sound best with which boxes. Then again, if you've heard me sing...
I bought the new Jeff Beck CD yesterday. It's a bit laid back but it is a blast to listen to. "Emotions and Comotions" Proves he still has it and that his talent is unique. His style has no equal and his sound is like no other. The notes he plays seem to extrude from his very soul with effortless yet powerfully apparent emotion. My words cannot do justice to his talent and he humbles me with every note.
Nothing new to report for now. Still trying to keep cool and finish the artwork. Wish me luck please.
I have been able to save very little from the days of Legasys. What I have discovered are 6 tracks. Some are of the first life performance and others are simply recorded practice sessions. I'll be tasked with trying to clean up the sound on them as much as possible. (That will take a lot of work.) Look for a release in the not too distant future. The artwork for "Clouds In Cathedrals" is coming along fine. That release will be coming soon!
Looks like JOSE DIAZ is the #1 rock artist in Victoria on...
Now how on earth could that have happened?(humor)
The grindstone can become red hot at times. Such hypothetical radiation keeps us on our toes. Customers come at us from many different angles with many different problems and they all seem to need something as early as yesterday. It’s not unusual for the phone to start ringing long before sunrise. It’s equally not unusual for the phone to keep ringing long after sunset. Into each task we throw our combined years of expertise. We are the ‘team’ to beat. Few have found the resources to match our level of service and commitment.
We are proud of the people we have worked with, and have had the honor of working with, over the years. There are more than a handful of heroes who have left their marks of wisdom on us. Many are gone from this earth but will never be forgotten.
The oil and gas industry lends momentum to many aspects of the tireless engine that we call America. Despite pitfalls and bloodied noses, the products elicited from the earth are still the fodder for the relentless march of progress. Successes, and failures alike, pave the roads of history with individuals of extremely unique character and unmatched fortitude and unwavering resolve.
When it’s time, (and trust me, it rarely is ever time), for me to come up for air, life, love, and music are the things I first breath in. Sitting on the couch or walking thru a mall with Glenda is always time well spent. She has her favorite shows and they always seem to grow on me. She has her favorite stores and I like to watch her shop. I got the life part down I think. The love part falls into place because of the life part, and rather easily. A smile a day makes life worth the effort.
Music is a free range across which my spirit longs to take flight. With music my soul can gallop across infinite plains. With music I can fly to any time or place in the universe. Wherever music takes me, I will always take as much of ‘me’ as I can along. Whatever fits into the mental baggage is always allowed. Life and love compliment the carry-on very well.
There is a feeling of being kindred in the world of music. Whether you’re a super-world-class-act, or a humble near-silent-do-it-yourself-er, music binds people together across race, gender, beliefs, morals, and time. The hallowed halls of super-stardom rang hollow recently with the passing of Ronnie James Dio. In his wake are timeless treasures of music. His fantasy styled lyrics and uniquely powerful voice will live on forever. No one before him ever shook the firmament the way he could with a scream. My breath of music that day was bittersweet. My CD collection has a few good memorial spins waiting my next breath of ‘music’. My focus is sharp. I know exactly where to start. There are ‘muses’ there too.
Saturday afternoon I was watching a Five Finger Death Punch DVD. I paused it in the middle of a tattoo slideshow and brought out a little amp and guitar. The amp is a small low-power affair. Nice tone, though I’m just now trying to find ‘my tone’ with it. I tweaked the sound a bit and then laid down a few good licks and tweaked a bit more. I was able to get a good crunchy sound that I could dial back with the controls on the guitar to a nice clean one. That saw me turn loose with a few more good licks.
‘And then, the phone rang.’
It was someone I had not heard from for over forty years. I don’t remember his voice but I could tell it was him. My Father had called me from Panama. We talked for quite a while and it actually felt good to finally hear from him. For many years I contemplated how I would react. I honestly did not know what my reaction would be. So there it is now. I’ve welcomed him back into my life. There are many questions I have but not all of them are as important as getting to know him. The ‘why-did-things-happen-like-they-did’, and the ‘where-have-you-been’, and even the ‘what’s your poison’ can all wait. I’ve found my father is easy to talk to even though his accent has a thick Central American flair to it. We touched on a few memories and along the way, with each instance, I was more and more convinced that he actually misses his children. He was directed to my main website (legasyssongs) by my older brother and related congratulations to me for some of the things he found there. I’m not sure if he listened to any music, but he did say that my half-sister is a singer there in Panama. He knows that I’ve given him two grandchildren and one step-grandchild but we didn’t get to the great-grandchildren yet. He said that he felt it was time to get in touch before it was too late. I can understand where he was coming from. I could feel the fathers love for his son thru the phone line. I hope he felt a sons love for his father as well.
So here I am armed with a phone number and few good tears of happiness. I can’t wait to see what these new ‘muses’ can guide me to.
Signed: Jose’ Luis Diaz - Second Son Of: Elvin Augustus Diaz II
There are many young people today who are finding their way into the wonderful world of music one way or another. Some have found band class in school to be the perfect learning experience while others have found a pickup situation after school more to their liking. Theirs, one and all, is a future that beckons with new technologies that probably didn’t even exist when they were born. These future hit-makers and moguls are forging their way thru the situations of their everyday lives and music will see them to adulthood one way or another.
The inspiration to make music can come from many different people, places, or situations. It can even simply appear out of the blue. Our minds are hardwired genetically to calculate and be drawn to the ratios of resonance in melodies. We know what notes and combinations of notes sound right and which ones are dissonant. Emotions from one end of the spectrum to the other are tied to the music we hear in our brains. We write music with those emotions. Without emotion, music is only, sound.
The spirit of youth is powered by an attentive tenacity locked onto the jugular of fun. If there is no enjoyment in what they are doing, kids move on in search of joy elsewhere. With music, a diverse collection of instruments is only the tip of the berg that can cause creative juices to flow. We are blessed to have a cornucopia of musical genres to shuffle through and deal out in any mixture our imaginations can muster. (The sound of Linkin Park easily comes to mind.) Making music is like dreaming but with full control over the outcome. Finishing a song is like waking up from a deep sleep more or less.
Adding to instruments and musical styles, newer technologies bring the ability to record and publish to levels unthinkable a generation ago. Physical CDs are slowly fading away. MP3s are gaining like wildfire even thought the sound quality leaves much to be desired (to my old ears at least). PR is only a few keystrokes away on social networking websites where slick graphics and widgets can make an unknown artist or band shine like a supernova literally overnight. Distribution with little budget to work with, or speak of, is still a no brainer with places like CDbaby.com, Discmakers, Oasis, AimeSt, Reverbnation, Mioko Records, and the list goes on throughout the web and around the world many times over! Today the young and upcoming musical hopefuls have an almost infinite array of variables to work across.
Budgeting, which is probably the farthest thing from a young mind has fallen from its lofty alabaster tower of yesteryear. Great places to find great deals abound. The world of DIY has exploded with a tidal wave of new music that easily dwarfs the mainstream. Not only are prices falling on excellent gear, but the knowledge base for said gear is growing exponentially. If the cards are played right the youth of today may well become the audio engineers of tomorrow with no formal training and coffers full of prestigious awards. That is, as long as they have fun getting there. I think they will without a doubt. Having fun is the perfect muse.
All of the emotion with which Legasys made music back in the day is still entrenched deep within the recesses of my soul. The camaraderie and fervor is still as bright a light as it has ever been. We composed with youthful angst and abandon. We played with conviction and undeniable satisfaction. We got the vibe from audiences that what we were doing mattered then, and that it would still matter far into the future no matter what happened.
We did not disband in any sense of the word. Rather, we went our ways one by one. The core of the group held on for as long as possible but the winds of the future gained strength and blew the final splinters away like so many bull-thistle seeds. Despite the final strenuous gasps, not one of us went away without looking back. To this day any former band mates I have talked to still have that spark in their voices and that high from the music is still perpetuating itself.
I have recorded a handful or more of that old material and completed some songs the band never had the chance to. I’m still looking thru my collection for some old practice sessions we’d captured on cassette tape with an assortment of boom-boxes. Some are full band sessions and some are just guitars and bass with vocals. I once wired a walkman (cassette) up and feed it into a digital studio. It turned out rather noisy but it did do the job of preserving what I wanted to save from analog recordings. Now all I have to do is find those data discs.
Revisiting what to me is historically the birth of Legasys brings all that emotion back up and into sharp focus. The way we interacted to create music was a blessing to each and every one of us. Even secondary band members took an active part in the structuring of our songs and wrote for us as well. Friends from other groups would drop in on practices to jam with us and we never shut anybody out for any reason. We were brothers in song and within us, the legend lives on.
This past Saturday night Herman Cardona, (Bassist for LEGASYS back in the day), dropped by out of the blue and I threw a little jam for him. We talked about old times and old friends. He blew my mind when he told me he still had a reel of the studio work we'd done way back in the early 80s! If we can save those tracks and digitize them we will surly bring this stuff to you the way we meant it to be heard. With a little luck you will get the full on force attack of who LEGASYS was. I'm crossing my fingers and holding my breath!
I just added two new tracks to the player on myspace. Enjoy!
I'm still working on the album cover. It's a bit hard for me to get to the hobby store right now.
I've put "Forever Wont Stand By" up on myspace. It's on my new album, CLOUDS IN CATHEDRALS.
Enjoy.
htp://www.myspace.com/legasyssong
Contact: Jose’ Diaz FOR IMMEDIATE RELEASE:
Tel. 361/575-4154
Email: joseexist@legasyssongs.com
CD: “CLOUDS IN CATHEDRALS”
The latest release from the “Tornado-Fingered-Texan” Jose’ Diaz will soon be
available on CDbaby.com. “CLOUDS IN CATHEDRALS” contains ten all new
tracks from the gulf coast solo studio artist and multi-collaborationalist. It will
mark the 9th release of all original material by Jose’ as it joins the other 8 albums at
CDbaby as well as other multiple websites. The album art is fully conceived and the
execution of the image(s) is all that remains to be completed.
Diaz continues to contribute to the compilation series released through Victoria,
Texas based A.O.G.MEDIA. That entity also continues to collaborate with Jose’ on
several fronts. His guest guitar work can be found on several releases from Jesse De
La O, the head of A.O.G.MEDIA and an unknown artist or two are working on
covers of Jose’s music as well. Get more info on A.O.G.MEDIA here:
http://www.myspace.com/jessedelao1.
In his own words:
“I make music as freely as I choose to live my life. Fame, fortune, and accolades
of glory are never my targets to achieve. Whatever blessings God will bestow on me
are his to give. Whatever travails assault me because of my music, I accept without
shame.”
Jose’ Diaz
# # #
For more information: http://www.legasyssongs.com.
You may contact Mr. Diaz by E-mail at: joseexist@legasyssongs.com.
CLOUDS IN CATHEDRALS
Ten all new tracks from the tornado fingered Texan!

(This is not the album cover)
The music died the other day. It was 94. Every note Les Paul effortlessly played carried with it the strength of happiness and the convictions of truth. He changed the guitar into the icon it is today and few if any additions to the technology have been so profound and simple. The same can be said of his gifts to the recording industry. My meager rig still owes much to him, as well as the shape of my first electric guitar. Les Paul shaped the future of music and will always be remembered with a smile. Seek his music out and I promise you, your heart will fly!
You've drowned yourself in sweat, blood, and tears. Now you have a demo or album in your hand. What now? If you're not already doing shows it's way past time to think about that. The public needs to see you! (I should speak, I don't do shows, go figure,,,)
There are many ways to "spread the word". You need to use as many of them as possible. With thousands, perhaps millions of website out there, the task of picking a good one is just a pipe dream. I say pick as many as you can! Use a main website to which all your notifications go to. That way if you happen to be signed onto a few hundred sites you can filter your update taske by activity.
It works like this. I have one main website, LEGASYSSONGS. All the other social and music sites are signed on with that address. Therefore, all e-mails, stats reports, friends/fans requests, sales(!), and anything else you elect to be kept up to date on, will land in one single e-mail box. Then it's up to you to wade thru and respond to them at leisure. You end up assigning importance to each message and your actions from there on will move you forward in relation to thejob you have to do where your PR is concerned.
I'm only up to about 108 sites so far. These include the perverbial myspace "artist" and "personal" profiles. Facebook , Reverbnation, Aimest, and many others are a must. The beauty of centralising alerts from all your sites is that no news from any site tells you that your page there is seeing little or no activity. Still, no news is a good thing too. Just because a page of yours is dead in the water does not mean it is not useful. Leave it up forever. At least it will be there. You never know when a total stranger will accidentally land on that desolate corner of the net and discover you!
Spread it on as thick as you can. You deserve the exposure. You deserve to be seen, heard, reviewed, bought, sold, exaulted, applauded, screamed for, etc, etc,,, Stay Loud! Stay Proud! Keep Pushing Back The
The entire playlist is at the above link with a few free suprises! Enjoy! Jose'
Prices go up, hurricanes blow by, jerks run for office, and time eats away at everything. Through all of this, the things we cannot control loom overhead. They are never larger than life, but always on the verge of pushing our dreams out of the way. Life can and may well pulverize you no matter what you do to defend yourself. The brutality of existence is never forgiving. The caress of dreams held deep within is the best defense against the onslaught of life. We can be beaten down, trodden underfoot, and kicked over the edge into the abyss, but even the most microscopic spark of a dream can never be extinguished. One tiny spark can smolder for more than a lifetime. In the perfect moment, it meets the fuel it's needed all along. The ignition can be subtle, or extreme. That burning is undeniable proof that dreams never really die. So, dream if you wish. Or, ignore your dreams. The choice is yours. Either way there will always be a small, easily unnoticed spark, there at the center of your soul, at the center of your mind, and at the center of your heart. Just Push Back The Clouds.
Young angst, and rebellion, people are always taken aback by it. Where does it come from? Who cares? When we were young we had plenty of it to spare. Those emotions and actions, reactions and convictions, grew. They grew strongly with all of the new wisdoms that we learned about the world and life. Things we wanted from the future always seemed to evaporate from our grasp just before we reached them. That happened more and more as we grew older. From our vantage point we saw grown-ups appearing to have it easy. When reality set in and we saw the truth for what it was, we were emboldened to disrespect anything that presented itself as “established”. Our resentments multiplied and our attitudes evolved into our “established” adult personalities.
In retrospect we’ve learned to look back across the years with an understanding of why we are who we are. Regrets and satisfactions are things we’ve had to learn the hard way. Few of us can easily embrace them equally, but all of us know them well for what they are. They are the wisdom we’ve gained. Our parents tried to tell us many things. We let them in one ear and out the other all too often. Slowly, their advice dawned on us and settled into the memes of our minds. Mom and Dad (for those of us lucky enough to have both) were right. We still did a lot of things they told us not to and many of us paid for our mistakes with our lives, freedom, or our prides. Maturing is a bittersweet endeavor. The taste never improves unless all your spoons are made of gold.
At the time, wasting time never crossed our synapses. We watched the world proceed and did our best to run circles around it. Each circuit we completed was a badge of honor we wore with high platitude. Each badge was a fresh link in the armor we body checked one another with. We jostled feverishly to develop and maintain the pecking order of our micro-society. The sands blasted their way through our hourglass and desolation amongst the grains was the only future we could see. Our shielding tarnished away, transmogrifying into our adult facades. We now hold tightly our last fistful of sand, yet we know the grains still flit away faster than ever before. The less we have, the faster we lose it.
The future looms nearer and nearer. The closer it gets the more at ease we become with our mortality. Though few and far between, we take every opportunity to spit-shine our shielding to a blinding shine. With each brush of polish the tarnish returns even quicker than before. We assure ourselves that the approaching end will be well met. We will polish our facades one final time and raise our eyes to scan the distance with furrowed brow. Our toes will grip the edge and we will smile reverently as we leap into the final arc of the final circuit. We will know that we lived the best lives we could with what we were given to live them with. Our “re-entry” into the great unknown will conclude with the ablation of our armor as our souls bare to the universe and all its’ mystery. Will we peer into the hearts of stars? Will we walk on black holes, neutron stars, or other worlds? Will we find the edge of the very fabric of our universe? We’ve already asked ourselves all these questions, and many, many more. We know those who never made it through this many years already have all those answers. We are also content to believe they have many, many more. In the end it’s obvious that’s all we ever really wanted. We just really wanted answers. We had to find our own and were too stubborn listen to those who had gone before us into adulthood.
We gave death a run for the money. Some of us lost early on. The triumph for us lies in the years we spent frolicking on the bow-wave of death. Like dolphins at play we threaded our way with intricacy. We formed our little pods and re-formed them over and over again, laughing at death as he struggled to run us down. That must be why death can be so painful. It’s his revenge for our disrespect of him. In old age we accept the pain, if death comes that way. It’s the least we can do. Or we ask ourselves what on earth we could have done to deserve to die painlessly. The morphine that might be administered does more for our partners and prodigy than respite for our battered bodies. We breathe one last breath. Our hearts make one final beat. Our thought cascades inward furiously like the collapse of a star forming a black hole. Nothing escapes but life, pun intended. Now we are out of the way for those after us to forge their armor, run their circuits, and discover much the same wisdoms as we did. They will know us by the trails we left. Graffiti carved into trees and park benches, and painted under bridges. Ropes tied high in trees over swimming holes, and urban legends bearing our names. We live forever in their eyes, and now it is their turn to become immortal.
Finito:10/29/2008 JOSE DIAZ (Pe’pe’)
They are also up and running on Http://www.infa-redinc.com
These are new outlets so I urge you to check them out while they still have the room for new members and the time to do such a fantasic job of getting music to the public.
They are both LOUD AND PROUD!!!